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From:
NYTimes.com <nytdirect@nytimes.com>
Date: Wed, Sep 13, 2017 at 10:01 PM
Subject: Theater Update: I Saw Myself in 'Anastasia.' And I Knew I Had to Leave Honduras.
To:
pascal.alter@gmail.com
Plus, remembering the director Peter Hall and the composer Michael Friedman. |
Wednesday, September 13, 2017
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Christy Altomare, center, as Anya in the musical "Anastasia." Sara Krulwich/The New York Times
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By JOSE SOLÍS
Alienated from his surroundings, an 11-year-old boy identified with an exiled cartoon princess. Thanks to a Broadway musical, he now has gotten to know her.
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Matt Collins
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By MICHAEL PAULSON
Theater writers go down the shore with Harold and Kumar, Rosalita and Cynthia Erivo, with a side trip to the Stone Pony.
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The Public
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By BEN BRANTLEY
A new play about Papp, the founder of the Public Theater, sets the tone for a season of audacious interpretations of the Shakespeare canon.
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Sara Krulwich/The New York Times
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By JESSE GREEN
A spate of revivals will allow audiences to consider what's changed, what hasn't, and what Bob Mackie has in the sequin drawer.
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Alley Theater
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By REGGIE UGWU
Houston's Alley Theater, drenched and damaged by the recent hurricane, is rising above the floodwaters with plans to salvage its productions.
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Michael Friedman | 1975-2017
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'_______ A'
By BEN BRANTLEY
Suzan-Lori Parks's Brechtian riff on Nathaniel Hawthorne's "The Scarlet Letter" returns to the stage with a new vitality.
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'Inanimate'
By BEN BRANTLEY
Nick Robideau's sly new comedy at the Flea considers the pain and pleasures of objectophilia.
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'The Suitcase Under the Bed'
By ANDY WEBSTER
The Mint Theater Company presents one-acts by Teresa Deevy, a proto-feminist finally receiving her due.
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